Obscure Music Mondays

  1. Obscure Music Monday: Dett's O Holy Lord

    Robert Nathaniel Dett (Oct. 11, 1882 - Oct. 2, 1943) was a composer, pianist, organist, and professor of music. Born in Ontario, Canada, he showed interest in music at a young age, and began piano lessons at five years old. The family moved to New York around the time Dett was ten years old, and a few years later he was playing piano for his church. He would later on study at the Oliver Willis Halstead Conservatory of Music, and continued studying piano at the Lockport Conservatory, before eventually attending Oberlin Conservatory of Music.. At Oberlin, Dett was introduced to the idea of using spirituals in classical music, like in the music of Antonin Dvorak. The music Dett heard reminded him of spirituals he'd learned from his grandmother, and he'd later on integrate folksongs and spirituals in to his music.   Continue reading →
  2. Obscure Music Monday: Parker's A Northern Ballad

    Horatio William Parker (Sept. 15, 1863 - December 18, 1919 )was an American composer, teacher, and organist, who came to be a part of the Second New England School, also commonly known as the Boston Six, along with Amy Beach, George Whitefield Chadwick, Arthur Foote, Edward MacDowell, and John Knowles Paine. Continue reading →
  3. Obscure Music Monday: Coleridge-Taylor's Ballade Op. 33

    Samuel Colderidge-Taylor (Aug. 15, 1875 - Sept. 1, 1912) was born in London, England, to Alice Hare Martin, an English woman, and Dr. Daniel Peter Hughes Taylor, from Sierre Leone. They were not married, and Daniel Taylor returned to Africa before 1875, not even knowing he had a son. Martin named her son after the poet, Samuel Taylor Coleridge, and was raised in Croydon, Surrey by his mother, and her father. Coleridge-Taylor studied violin at the Royal College of Music, and was later on appointed a professor at the Crystal Palace School of Music, and conducted the orchestra at the Croyden Conservatory.  Coleridge-Taylor found success at the Three Choirs Festival in Gloucester and Worcester; he was recommended by Edward Elgar, who heard rave reviews about Coleridge-Taylor from noted music critic and editor August Jaeger. He had much success during his time, and his interest in African-American culture brought him to the States on several occasions where his success continued. He made such an impression that he was invited to the White House by Theodore Roosevelt.  Continue reading →
  4. Obscure Music Monday: Schumann's Scherzo No. 1

    Clara Schumann (Sept. 13, 1819 - May 20, 1896) was a German composer and pianist, born to musical parents in Leipzig. Her father was well-known throughout Leipzig, where he sold and repaired pianos, and gave piano lessons. She took lessons from him, and he also made sure she was educated in music theory, counterpoint, harmony, and composition. She had her first recital at age 10, and had a wildly successful career as a pianist from that point onward, receiving praise from audiences and critics alike. The day before she turned 21 she married composer Robert Schumann. Continue reading →
  5. Obscure Music Monday: Mayer's Faust Overture

    Emelie Luise Friderica Mayer (May 14, 1812 - April 10, 1883) was a German composer of Romantic music. While she studied music growing up, it was nothing serious. It wasn't until 1840 when her father died that she took music and composing seriously; she moved to Stettin to study with Carl Loewe, and then later moved to Berlin to study with Adolph Bernhard Max and Wilhelm Wieprecht. Later on in life she became the Associate Director of the Opera Academy in Berlin. Continue reading →
  6. Obscure Music Monday: Delius' Eventyr

    Frederick Theodore Albert Delius (Jan. 29, 1862 - June 10, 1934) was an English composer, born in to a wealthy family. Delius didn't want to go in to business and commerce like his family, and resisted it as much as possible. Continue reading →
  7. Obscure Music Monday: Palmgren's Nocturne in Three Scenes

    Selim Gustav Adolf Palmgren (Feb. 16, 1878 - Dec. 13, 1951) was a Finnish composer, conductor, and pianist. He studied at the Helsinki Conservatory in Helsinki from 1895 to 1899, then continued his piano studies in Berlin. He conducted several orchestras and music societies in Finland, and had successful performances as a pianist in Finland and Scandanavia. In 1921 he moved to the United States to teach at the Eastman School of Music, and from 1936 - 1951, he was Professor of Harmony and Composition at the Sibelius Academy.  Continue reading →
  8. Obscure Music Monday: Koussevitzky's Concerto for Double Bass and Orchestra

    Serge Alexandrovich Koussevitzky (July 26, 1874 - June 4, 1951) was a Russian composer, conductor and double bassist. Born in to a musical family, his parents taught him violin, cello, piano, and trumpet. At 14 years old he won a scholarship to study the double bass at the Musico-Dramatic Institute of the Moscow Philharmonic Society, where he excelled in his studies. Continue reading →
  9. Obscure Music Monday: Foote's Serenade Op. 25

    Arthur William Foote (March 5, 1853 - April 8, 1937) was an organist and composer, and a member of the "Boston Six", a group of composers from New England that lived in the late 19th century and early 20th century, that also included Amy Beach, George Whitefield Chadwick, Edward MacDowell. John Knowles Paine, and Horatio Parker. Foote graduated from Harvard, and was the first composer of note to be trained entirely in the United States. Continue reading →
  10. Obscure Music Monday: Paine's Overture to 'As You Like It'

    John Knowles Paine (Jan. 9, 1839 - April 25, 1906) was an organist and composer born in Maine, to a musical family. HIs grandfather built pipe organs, and his father and uncles were all music teachers. In the 1850s, Paine took organ and compositions with Hermann Kotzschmar, and completed his first composition (a string quartet) in 1855. He was appointed organist of Portland's Haydn Society, and gave recitals to help fund a trip to Europe. Continue reading →