Chantal Incandela

Joaquin Turina (Dec. 9, 1882 - Jan. 14, 1949) was born in Seville, where music was a significant part of his upbringing. He tried his hand at studying medicine, but music was his ultimate calling. He studied in both Seville and Madrid, and from 1905 - 1914, he studied composition with Vincent d'Indy at the Schola Cantorum de Paris. He was attracted to the style of Debussy and Ravel, but his interests changed course, however, when he met fellow countrymen Manuel de Falla and Isaac Albinez, who encouraged him to embrace his Spanish and Andalucian heritage. His Scene Andalouse was written for viola, piano, and string quartet, and is in two movements. Continue reading →

Josef Suk (Jan. 4, 1874 - May 29, 1935) was a Czech composer and violinist, who began his musical training at an early age. He learned the violin, organ, and piano from his father, and then went on to study composition, with his most famous teacher being Antonin Dvořák. Suk and Dvořák became close, trusted friends, and eventually Suk married Dvořák's  daughter, Otilie. Continue reading →

Ferdinand Ries (Nov. 28, 1784 - Jan. 13, 1838) was born to a musical family in Bonn. He received piano lessons from his father, and also played the cello and organ. In the early 1800s, Ries became a pupil of Ludwig van Beethoven, and later on his secretary and close friend. Continue reading →

George Enescu (Aug.19, 1881 - May 4, 1955) has long been regarded as Romania's most important musician. In addition to composing, he was also a violinist, pianist, and conductor. At age seven he became the youngest student ever admitted to the Vienna Conservatory, studying with Robert Fuchs, and Sigismund Bachrich. Later on he studied at the Paris Conservatory, studying with Jules Massenet, and Gabriel Faure. Continue reading →

Mikhail Glinka (June 1, 1804 - Feb. 15, 1857)  has often been called the father of Russian classical music; his works were strong influences on Mussorgsky, Borodin, and Rimsky-Korsakov, just to name a few. HIs output as a composer was considerable; he wrote operas, symphonic works, chamber pieces, and more. Today we are looking at  his Viola Sonata, a work that is often forgotten about among his large number of works. Continue reading →

Béla Bartók (March 25, 1881 - Sept. 26, 1945) is certainly not an obscure name, but just like any composer, has works that aren't championed as well as others.  Born in Hungary, he showed significant musical talent at a very young age, and began studying music with his mother. Later on Bartok attended The Royal Academy of Music in Budapest, where he wrote his first major orchestra work, which we are looking at today: his symphonic poem Kossuth. It is not programmed anywhere near as often as his other works such as Concerto for Orchestra, Music for Strings, Percussion, and Celesta, or The Miraculous Mandarin. It seems oft overlooked, but is very much worth a listen. Continue reading →

Vincent d'Indy (March 27, 1851 - Dec. 2, 1931) was born in Paris, France into an aristocratic family, and began studying the piano at an early age with his grandmother. At 14 he was studying harmony, and later on attended the Conservatoire de Paris, where he was a devoted student of Cesar Franck (who initially didn't think much of his compositional attempts, despite the recommendations of Massenet and Bizet). Later on however, he became unhappy with the standard of teaching at the Conservatory, and founded the Schola  Cantorum de Paris with Charles Bordes and Alexandre Guilmant. Some of d'Indy's students included Erik Satie,  Joseph Cantaloube, Darius Milhaud, and Cole Porter, and during his time, d'Indy was considered an important and influential composer. Continue reading →

Joseph Leopold Eybler (Feb. 8, 1765 - July 24, 1846) was born in Schwechat, near Vienna, in to a musical family. His father was a choir director, and friend of the Haydn family. Eybler studied music with his father before attending the cathedral school at St. Stephen's Boys College in Vienna, and later studied composition under Johann Georg Albrechtsberger, who claimed Eybler was Vienna's greatest musical genius, apart from Mozart. He also received praise as a composer from Franz Joseph Haydn, and Mozart as well, who he also studied with. Clearly he was highly regarded, which makes it all that more unfortunate that we don't hear his compositions very often. Continue reading →

Felix-Alexandre Guilmant (March 12, 1837 - March 29, 1911) was born in Boulogne-sur-Mer, France, and was quite the virtuosic organist. Not exactly a household name, he nevertheless was a prolific composer, writing almost entirely  for the organ. Guilmant began his organ studies with his father, and eventually went on to teach in Paris for thirty years, before embarking as a virtuoso soloist. He toured in both North America and Europe, where he was especially popular; his concerts in England attracted upwards of 10,000 people. Continue reading →

In the world of the double bass, Bottesini is a well known name, but not so much outside of that world, despite his many operas, chamber works, and solo pieces. Giovanno Bottesini (Dec. 22, 1821 - July 7, 1889) was born in Crema, Italy, and began his early musical education with his father, an accomplished clarinetist and composer. Later on in his life, Bottesini wanted to enter the Milan Conservatory on violin, but lacked the funds. The school only had two scholarships available, for bassoon and double bass. Within a matter of weeks, Bottesini prepared a successful audition on the double bass, and four years later began touring as a soloist, known as "The Paganini of the double bass". Continue reading →